Italian Cultural Institute of Chicago

TWO VOICES FROM THE GOLDEN WEST

2011-02-11T11:21:00.001-06:00

Last night The Italian Cultural Center of Chicago was delighted to host the tenor Marcello Giordani and baritone Marco Vratogna as they discussed their experiences in singing the roles of outlaw Dick Johnson and Sheriff Jack Rance in Puccini's La fanciulla del west (The Girl of the Golden West) at Lyric Opera of Chicago. Mr. Giordani enthusiastically explained how he started, almost by chance, his venture in the Opera world. Mr. Vratogna told differents anecdotes about his experience in the music world and shared how meeting Luciano Pavarotti was an eye-opening experience that inspired him to continue singing. The audience showed interest and enthusiasm and the event continued through the evening with a vibrant exchange between the two guests and their public.

Good morning Aman captures audience's interest

2010-12-16T14:39:00.002-06:00

“The problem isn’t realizing dreams, the problem is having dreams”. This is a sentence that will resonate with any person who lost hope in life regardless of race, creed or political affiliation. It is also the focal idea behind “Good Morning Aman”, the Italian film directed by Claudio Noce and shown last night at the Italian Cultural Institute. The film tells the story of a friendship between two very different individuals, at first appearance at least.
The audience showed a great deal of interest and enthusiasm for the movie and agreed on how refreshing it was to see a film dealing with the issues surrounding immigration from a different angle, in particular the idea that people can feel like an “immigrant” even in their own country.

Discovering Carracci's Art

2010-12-09T10:13:00.002-06:00

Tuesday night the Italian Cultural Institute had the pleasure to host a lecture about Ludovico Carracci’s paintings. The conference was held by Eve Straussman-Pflanzer, Associate Curator of European Painting and Sculpture before 1750 at the Art Institute of Chicago. She

accurately explained all the technical aspects of Carracci’style, such as the use of colour and the meaning of the lines and shapes. Historical circumstances were also mentioned, so that the public could go more deeply into the context in which Carracci was operating.

She examined Carracci’s responsibility for transforming Bolognese painting from

the staid and restricted Mannerist style of the last part of the 16th century into that

compelling blend of Classicism with naturalistic elements that would dominate 17th-

century Italian painting. The speech was accompanied by beautiful images of the

paintings of the artists, that kept up the audience’s attention minute by minute. At the end of the lecture, the Curator exhaustively answered to all the audience’s questions.

Getting to know Maria Callas

2010-12-01T11:20:00.000-06:00

The documentary “Maria Callas: La Divina” was shown yesterday at the Institute. Its screening was preceded by a brilliant lecture by Jesse Rosenberg, Associate Professor of Musicology at Northwestern University, who gave an extensive introduction about the American born Greek soprano. Professor Rosenberg talked about her personal and artistic life while expressing his admiration for her musical and dramatic talent. On the occasion, copies of the book "The Young Maria Callas,"edited by Bruno Tosi and published by Guernica Editions with the support of the Italian Cultural Institutes in North America, were freely given to the large audience present at the event.

Celebrating of one of the most original Italian artists: Caravaggio

2010-11-11T10:18:00.002-06:00

Yesterday night the Italian Cultural Institute hosted a lecture on Caravaggio entitled "The Painter’s body" by the Assistant Professor of Italian Studies and Adjunct Professor of Art History at Northwestern University, Marco Ruffini. The audience was really enthusiastic and interested in discovering new and stimulating details about this innovating artist, thanks especially to the accurate and exhaustive explanations by professor Ruffini who mainly focused on the comparison between the art of Federico Zuccari and the innovation of the Lombard genius. This lecture was presented on the occasion of Caravaggio's 400 years death’s anniversary, and on the occasion of the sensational discovery of the artist’s remains in Porto Ercole in Tuscany. This event was also presented in conjunction with the 2010 Chicago Humanities Festival's theme “The Body.”

European Jazz Festival: Great Success for Marraffa / Braida Duo

2010-11-04T17:17:00.000-05:00

Chicago Cultural Center was crowded yesterday in occasion of the European Jazz Festival. On the first of these two free nights of music, Edoardo Marraffa (tenor and sopranino saxophones) and Alberto Braida (piano) were invited to represent Italy and Italian jazz. The magnificent Preston-Bradley Hall was full with people involved into music and jazz improvisation lovers.

The extraordinary natural acoustics of the Hall magnified Marraffa and Braida’s interplay: the delicate, tradition-rooted pianism of Alberto Braida intermingled with the more radically experimental and aggressive sounds produced by Edoardo Marraffa’s saxes. The result, aggressive and enchanted at the same time, literally hypnotized the audience.
It comes then as no surprise that they got a long round of applause at the end of their exhibition. The two musicians too seemed to be very satisfied with their first Chicago experience!

Aldo Cazzullo: Viva l'Italia!

2010-11-03T16:34:00.000-05:00

Aldo Cazzullo was at the Institute yesterday to present his latest books “L’Italia de Noantri. Come siamo diventati tutti meridionali” and “Viva l’Italia!.” The public’s response was enthusiastic : an intense debate followed, concerning various aspects of contemporary Italian society.

Since Aldo Cazzullo, as a journalist and correspondent for the Italian newspaper “Corriere della Sera”, was in Chicago to follow the mid-term elections, he was obliged to leave as soon as the debate was closed, so that he could write his article.

Flick or treat? - Opera by Dario Argento

2010-10-29T12:20:00.001-05:00

The last event about Verdi’s Macbeth took place yesterday at the IIC with the screening of “Opera”. This horror movie, by Italian director Dario Argento, tells the story of Betty, a young opera singer, who gets her big chance when the previous star of a production of Verdi's Macbeth is run over by a car. She accepts, although the play is notorious for bringing bad luck, and becomes the target of a psychopath. This misterious assailant stalks Betty, capturing her by tying her up and taping pins to her eyelids, so she is forced to watch as he violently murders the people around her. The killings are very shocking and bloody and create an unforgettable atmosphere of dread and fear, in a classic Argento - Style, which the audience at the Institute seemed to enjoy. Some of the guests came in costume and a special refreshment with gummi eyes, cookies and skeleton candies was offered. This was an occasion of celebrating a Halloween, an American tradition, in an Italian way!

Cooperation between Italy and Switzerland

2010-10-22T16:41:00.001-05:00

Yesterday the Italian Cultural Institute of Chicago showed how strong the ties are between Italy and Switzerland. The lectures given by Marco Cameroni and Paola Piffaretti about 17th century Swiss-Italian artists who worked in Italy, rounded up a multi-language audience which was very satisfied to discover Ticino, an Italian-speaking region of Switzerland, which gave birth to many talented people. As the event was organised on the occasion of the 10th Italian Language Week, both lectures were given in Italian. An English translation of the speeches was at the audience's disposal. The meeting was organized by the Italian Cultural Institute in collaboration with Consulate General of Switzerland in Chicago. A reception followed, with traditional Swiss specialties and wines graciously offered by the Consul General of Switzerland, Giambattista Mondada.

Once You Are Born You Can No Longer Hide draws a wide audience

2010-10-21T16:16:00.000-05:00

Such a great audience yesterday at the Italian Cultural Institute for the screening of “Quando sei nato non puoi piu’ nasconderti” (Once You Are Born You Can No Longer Hide)! The conference room was crowded with people and students from Loyola University and Harold Washington College, interested both in the Italian language and in the ticklish theme of immigration. The movie, directed by Marco Tullio Giordana, made the audience laugh at the very beginning, depicting in a flimsy way the life of a young and well-to-do Italian boy ; later moved it, showing the terrible conditions in which immigrants attempt to reach Italy. This was the second movie of a series dedicated to the Italian Language Week. Two more are scheduled: “Io, l’altro” (I, the Other) by Mohsen Melliti on Nov 18, 5.30 pm and “Good Morning Aman” by Claudio Noce on Dec 15, 5.30 pm.

Moving lecture-performance by G.Ghermandi at Northwestern

2010-10-20T13:09:00.000-05:00

An astonishing lecture-performance by novelist Gabriella Ghermandi took place yesterday at Northwestern University. She caught the attention of a wide audience, mostly made up of students and teachers interested in the theme of immigration and cultural exchange. She combined her free speech about her family, childhood and the history of Ethiopia with the reading of some extracts of her novel “Queen of Flovers and Pearls”. She also showed her abilities as a performer by singing some traditional songs of her country and gave a visual representation of her being Italian and Ethiopian at the same time by changing her clothes on the scene. This moving performance ended up with Gabriella sharing bread with the audience, just as is supposed to be done with friends in the Ethiopian tradition.

"New Italians, New Literature": Roundtable discussion with Ghermandi and Kubati

2010-10-19T16:17:00.002-05:00

The 10th Italian Language Week began yesterday with authors Gabriella Ghermandi and Ron Kubati giving an intense reading of their latest novels at the Institute. They discussed with moderator Cristina Lombardi-Diop and the audience about the recent phenomenon of Italian literature written by immigrants.

Ghermandi recalled her childhood in Ethiopia and the importance of Italian as a Father Language to her, especially when she finally got to Italy at the age of 14. To Kubati Italian has definitely meant something different: he learned this language as he came to Italy, when he was already 19. To him, it represents the language of his studies, of his mature friendships, of his development.

Gabriella Ghermandi is not only a novelist, but also an accomplished performer and singer. She will be tonight at 7pm at McCormick Tribune Center Forum - Northwestern University, for a lecture-performance from "Queen of Flowers and Pearls", a novel based on the life of an Ethiopian family in Italy.

Verdi's Macbeth told by the Lyric Opera protagonists

2010-10-08T11:44:00.000-05:00

Yesterday evening director, Barbara Gaines and conductor Renato Palumbo spoke to the Institute’s audience about Lyric Opera’s current production of Verdi’s Macbeth. The discussion was moderated by Speranza Scappucci. After a brilliant introduction by vocal coach Scappucci, Palumbo told many interesting and somewhat amusing details concerning the history of the composition of the tragedy by Verdi while Gaines talked about her first lucky experience as an opera director, insisting on the difference between working with actors and singers and declaring her immense and quite unexpected appreciation for the play.

Both Palumbo and Gaines confessed to be highly satisfied with the outcome of their collaboration and were glad to answer the numerous questions and curiosities of the audience.

The Institute reminds you that two movies concerning Macbeth will be screened soon:

- Tue, Oct 12, at 5 pm, “Macbeth” (1987) by Claude. It brings Verdi’s celebrated opera to life with superb musical performances. Conducted by Riccardo Chailly, the exceptional cast features singers of the highest caliber: Leo Nucci performs Macbeth and Shirley Verrett takes on the role of Lady Macbeth.

- Tue, Oct 28, at 5.30 pm, “Opera” (1987) by Dario Argento. A young opera singer named Betty gets her big break when the previous star of a production of Verdi's Macbeth is run over by a car. Alas, she becomes the target of a psychopath while working on the production and her big break becomes a curse. Opera is considered by many to be the last of Argento's masterpiece horror films, and it was included in the book 100 Greatest Horror Films You've Never Seen.

Successfull opening Toccafondo exhibition "Fleeting Frames"

2010-10-06T16:16:00.001-05:00

Gianluigi Toccafondo’s personal exhibition opened yesterday at the Italian Cultural Institute.
After a short introduction by Director Silvio Marchetti, Professor and Cinema expert Chris Sullivan provided the audience with useful details about Toccafondo’s personal experience and artistic career, highlighting how his process of making art was inspired by his father’s pottery activity. Sullivan also explained the fascinating techniques Toccafondo uses to produce his original short animation films. The audience’s response to Sullivan's lecture and to the Italian animator’s work was enthusiastic.

Both the artist’s original short films and colourful drawings will be on display at the Institute until January 14, 2011.

exhibition: Gianluigi Toccafondo @ the Italian Cultural Institute, Tuesday Oct. 5, 6pm

2010-10-04T12:22:00.000-05:00

Exciting, dreamy, funny: the videos by Gianluigi Toccafondo are made with hundreds of drawings, magically assembled in a succession of screen-shots. In order to give viewers an in-depth understanding of Toccafondo’s unique world of ‘painting in motion,' the preparatory drawings and sketches for his animation art will be displayed in the Institute’s gallery. A special section will be dedicated to the work Toccafondo created specifically for the United States.

Gianluigi Toccafondo (1965) has exhibited his artwork in numerous shows in Italy and abroad. In addition to making a variety of short films, Toccafondo has composed theme songs for television programs and published illustrated books. He has collaborated creatively with the world’s best magazines, and also designed covers for the influential publishing house Fandango. Most recently he was assistant director to Matteo Garrone for the celebrated movie Gomorrah.

International Summer Screenings Program: Italian Movie: Non Pensarci (Don't Think About It)

2010-07-28T11:09:00.013-05:00

The Chicago Cultural Center's International Summer Screenings Program, with the Istituto Italiano di Cultura di Chicago co-presenting, bring Chicago one of Italy's most successful contemporary movies, Don't Think About It.

At 36, Stefano Nardini is a punk rocker living in Rome, still trying to make it. When he returns to his hometown of Rimini in search of some TLC and a home-cooked meal, he soon realizes that he’s not the only one in trouble — his sister dropped out of college and his brother is running the family business into the ground. They’re on the verge of losing everything, and only drastic measures will save them. A multiple award winner at Venice, Don’t Think About It is a dramedy about a family that must learn how to take care of each other before it’s too late. Director: Gianni Zanasi. (Italian with English subtitles; 2007; 105 minutes)

Hours:

Wednesday, August 11, 6:30 pm

Saturday, August 14, 2 pm

Location:

Chicago Cultural Center

78 E. Washington St., Claudia Cassidy Theater

Chicago, IL 60602

Co-presented by the Istituto Italiano di Cultura di Chicago. Cinema/Chicago, in collaboration with the Chicago Cultural Center and international and cultural partners throughout the city, is pleased to host free public film screenings at the 7th Annual International Summer Screenings Program. Seating is on a first come, first served basis and is limited to theater capacity. Films are unrated, and viewer discretion is advised.

Art Exhibit: Carlo LoCascio in Lincoln Park

2010-07-28T10:47:00.000-05:00

Carlo LoCascio is an Italian artist who settled in Chicago ten years ago after an international career in industrial and interior design. His beautiful exhibit of paintings in oil and mixed media can be viewed by appointment (773-206-2851) at Tete De Girolami's art gallery at 2000 N. Orleans Street - on the corner of Armitage and Orleans.

Carlo LoCascio, when pressed, describes his work as avant-garde. He rejects working within the perimeters of a strict style, however. In his words: "My inspiration is the unending need to give expression to the abstract meanings hidden in everyday life, as informed by my personal memories and dreams."
LoCascio's commitment to interior, psychological truth gives this exhibit its emotional resonance and unforgettable vitality.

JUNE 29 OPEN HOUSE

2010-06-28T15:41:00.000-05:00

You're invited to an Open House hosted by the Italian Cultural Institute in Chicago and Italidea on June 29^th from 4-7pm to mark the beginning of Italidea’s Summer Session and in conjunction with the ongoing exhibition of works by Lorenzo Mattotti, featuring drawings and illustrations.

The event will unfold as follows:

4pm: Children’s Corner: Pimpa animation film, featuring the fun, adventuresome, little Italian dog Pimpa, will delight a young audience. Live entertainment for kids provided by Carly Ciarrocchi. “Merenda” (snack) will be served.

Pimpa

5pm: Visit the Library and the Lorenzo Mattotti Exhibition on Display: Guests will have the opportunity to visit the Italian Cultural Institute’s library and discover the treasures of the Italian language. Visitors can also enjoy Lorenzo Mattotti playful artwork – a collection of magazine cover illustrations, drawings, and comics narratives – on view in the Italian Cultural Institute’s gallery.

Magazine cover and work by Lorenzo Mattotti

6pm: Experience sample Italian lessons from Italidea teachers, all of whom are native speakers with an Italian language degree obtained in Italy.

I hope you will join us in sharing and discovering the beauty of Italian language and culture.

A reception will be offered.

Thank you for calling (312) 822-9545 x 198 to RSVP. Please indicate the ages of any children you will be bringing.

To view the course schedule of summer courses offered at Italidea starting July 12^th, click here. Please don’t miss two new special courses: “Buon Appetito,” which will explore the richness of Italian gastronomy and “Le Canzone e l’Italiano,” which will allow students to discover the styles and lyrics of Italian songwriters (cantautori).

Carmen Consoli at the Italian Cultural Institute on June 15!

2010-06-23T10:21:00.001-05:00

Italian singer and songwriter Carmen Consoli stopped by the Italian Cultural Institute of Chicago on June 15 to greet fans and play a sampling of her new songs from her seventh album, ELETTRA. The theme of ELETTRA is love in its many manifestations: filial, platonic, romantic; and love in its varying emotional tones: conflicted love, egotistical love that destroys rather than nurtures, and love that heals.

TOOLS

As can be imagined, a large, extremely enthusiastic mix of Italians and Americans gathered to listen to Carmen Consoli for a special concert at theItalian Cultural Institute of Chicago on June 15. As Director Tina Cervone mentioned in her introduction, it certainly isn’t every day that Consoli fans have the opportunity to experience the music one of Italy’s favorite stars in an intimate setting, and also to exchange a few words with her. Consoli talked with individual audience members at length while signing CDs after her performance at the Institute, and graciously posed for photographs with all who asked.

Microphone, acoustic guitar, powerful voice and impeccable beat were the only elements required for Consoli to fill the Institute’s gallery with the sound of a full scale concert. Adding depth to her performance were the stories she shared of how Sicily to this day provides her with inspiration and a rich musical heritage made of many cultural threads to draw from.

“I began studying Sicilian musical tradition and immediately felt something open up inside of me. You could say it completed me.” Consoli sang two songs in Sicilian, expressing herself with a clarity and passion that made the fact that many audience members didn't speak Sicilian completely unimportant.

Continuing with her description of Sicily, Consoli spoke of its multi-cultural past: “Diversity once meant richness,” Consoli said. “There was a time that many different nationalities and religions coexisted peacefully in Sicily. It was possible once, why can’t it be possible again?”

Carmen Consoli with Director Tina Cervone

Consoli also pointed out that Sicily is in many respects an extension of Greece. “My bedtime stories were not of ‘Snow White and the Seven Dwarfs’ or ‘Cinderella,’ but of the great Greek myths. Ulysses the wanderer was one of my heroes. I’m a scholar,” Consoli joked, before continuing: “I’m not necessarily as interested in the physical journey as in the mental journey.”

Given the importance of Greek mythology to Consoli, it isn’t surprising that the iconic Elektra is the inspiration for the title of her latest album. ELETTRA explores the theme of love in all its guises - from platonic to erotic to filial to obsessive to cruel - and is dedicated to her father who died last year.

Consoli spoke at some length about her father’s death and also the strength of his character: “His sense of humor never failed, even in the most painful situations. When he was told by his doctors that he was dying he replied sarcastically, in a powerful Sicilian accent, 'Good fellows, so what do you want me to do, send you a postcard?'" The song she wrote, inspired by his quip, is titled appropriately “Send me a postcard,” and is ELETTRA’s first piece. “South East” and “The Window” are two of the other featured songs on this platinum album that she introduced while at the Institute.

Needless to say, the audience was extremely grateful for the time that Carmen Consoli spent with them. Consoli made the appreciation feel reciprocal when she closed her event by saying: "The time I've spent with all of you has been very precious to me.”

That evening, Consoli played to a sold out crowd at Martyr’s, one of Chicago’s most famous clubs, where she sang her latest songs as well as some of her most well known ones, “Parole di burro” and "The Last Kiss” among them. This is the third time that Carmen Consoli has visited Chicago. Hopefully she will return again soon.

I AM LOVE opening at Landmark Theaters on Friday, June 25

2010-06-22T12:44:00.006-05:00

We went to see I AM LOVE last night at the Century Mall's Landmark Theater. This visually lush movie set in Milan and San Remo lives up to its great reviews. Tilda Swinton is especially compelling in her role of the perfect upperclass wife and mother unable to continue paying the emotional price required for her to fulfill her function as female icon within her extended Italian family. A must see for Italophiles and film lovers alike. Click here for The New York Times Review.

Synopsis: I AM LOVE tells the story of the wealthy Recchi family, whose lives are undergoing sweeping changes. Eduardo Sr., the family patriarch, has decided to name a successor to the reigns of his massive industrial company, surprising everyone by splitting power between his son Tancredi, and grandson Edo. But Edo dreams of opening a restaurant with his friend Antonio, a handsome and talented chef. At the heart of the family is Tancredi's wife Emma (Tilda Swinton), a Russian immigrant who has adopted the culture of Milan. An adoring and attentive mother, her existence is shocked to the core when she falls quickly and deeply in love with Edo's friend and partner Antonio, and embarks on a passionate love affair that will change her family forever.

Directed by Luca Guadagnino.
Cast:Tilda Swinton, Edoardo Gabbriellini, Alba Rohrwacher, Pippo Delbono

ItalianNotebook.com provides a daily taste of Italy

2010-06-21T17:18:00.000-05:00

We received this tip about a website called ItalianNotebook.com. If you're an Italophile, check out them out: "a daily taste ... in delightfully illustrated very short stories ... of things Italian. We and many of our Italophile colleagues, look forward each day to receiving these wonderful little snippets. The topics range from Art, Archaeology, Food, Wine and beyond. Subscribe http://www.italiannotebook.com/lists/?p=subscribe&id=11 link.

June 24 at 5 PM - Movie night - Si Può Fare

2010-06-21T12:45:00.000-05:00

Join the Italian Cultural Institute at 5 PM this Thursday for a free screening of the movie SI PUO FARE. Directed by Giulio Manfredonia (Rome, 1967) it tells the story of a Milanese businessman who seeks to reassimilate former mental institute patients into society by offering them work in a special cooperative that provides hardwood flooring services. A dramatic comedy that was inspired by a true story, it was awarded the Silver Ribbon (2009) and the David of Donatello (2009).

SI PUO FARE is in Italian with English subtitles. It will be presented by Northwestern University senior lecturer Paola Morgavi.

Carla Benedetti, Italian literature and the journal IL PRIMO AMORE

2010-06-15T16:23:00.000-05:00

The evening of Tuesday, June 8, at the Italian Cultural Institute revolved around the exploration of Italian literature, a journey that began with Leopardi and ended with contemporary writers like Moresco and Saviano.

Director Tina Cervone provided the introduction to the evening’s central theme: the relationship between this group of writers and the Italian community.

Professor Carla Benedetti, Professor of Modern and Contemporary Literature at the University of Pisa and currently Visiting Professor of Theory of Literature at the University of Chicago, guided the audience on this literary excursion.

The connecting thread linking the various writers is their analytical stance towards Italy, and the often problematical relationship that they have with their country. This dynamic between Italian intellectuals and their homeland is a longstanding one that can be traced back to Italy’s very first literary production.

Even before Italy’s unification, Giacomo Leopardi, in his essay Discorso sopra i costumi presenti degli italiani (1824-26), finds a disillusioned indifference among Italians that leads inevitably to evil and immorality. In fact, for Leopardi, illusions and dreams are positive rather than negative things because they push people towards great achievements.

Despite his profound pessimism, Leopardi cared passionately about civic life, as did Pier Paolo Pasolini. His grim diagnosis of the Italian situation was accompanied by a civic minded outrage. Exactly like his predecessor Leopardi, Pasolini doesn’t fight against a powerful political entity; rather, he attacks a prevailing ethos of indifference and cynicism.

Time passes but the tense, occasionally conflictual relationship that writers have with their country remains the same. Antonio Moresco is also witness to this, deconstructing contemporary Italy through his writing in terms that recall, in some respects, Roberto Saviano. Famous for his book Gomorra, Saviano’s point of view is in sync with that of the two previous writers. Once again, accompanying the critical spirit that animates the work of these writers we find a consistent appeal to humanity’s capacity to dream of better things.

In concluding this literary excursion, Carla Benedetti presented the journal Il Primo Amore. Founded in 2006 by a group of writers including Scarpa, Antonio Moresco, Carla Benedetti herself and the photographer Giovanni Giovannetti, each number is dedicated to a particular theme that is analyzed through text and images. The journal seeks to combine the critical approach of Italy’s literary tradition with the positive and powerful aspects of ‘Leopardiane’ illusions.

This presentation sparked a lively debate that engaged an audience interested in studying all the various aspects of Italian culture that had been analyzed during Professor Benedetti’s conference.

The Italy-Paraguay Match at the Institute drew enthusiastic Azzuri fans!

2010-06-14T17:25:00.002-05:00

Soccer fans had a great time watching the Italy-Paraguay match at the Institute today!
Thanks to all for joining us!
Click on this link to Corriere della Sera for intense, in depth coverage of the games by their best writers.

Contemporary Art Website Succoaccido

2010-06-14T10:37:00.000-05:00

For those interested in contemporary Italian culture in all its manifestations - comics art, film, theater, street entertainment, music - the Succoaccido website is a must.
Their latest newsletter covers a wide range of happenings - everything from Artisti in Piazza, the International Buskers Festival in Pennabilli, a medieval town in North East Italy that is hosting 200 international entertainers who will perform in streets and courtyards; to a comics exhibition at the CRACK festival in Rome; to an art exhibition by a young Iranian artist being shown at Genoa's Palazzo Ducale.

Carmen Consoli at the Italian Cultural Institute on June 15!

2010-06-11T10:43:00.001-05:00

On June 15 at 1 pm the Italian Cultural Institute of Chicago will have a special guest - the major musical star Carmen Consoli, who will be in Chicago promoting her latest album, ELETTRA.

Carmen Consoli will play songs from ELETTRA and greet audience members. Don't miss this truly once in a lifetime opportunity to enjoy the music of one of Italy's most beloved singer-songwriters in an intimate, relaxed setting.

For more about Carmen Consoli, her upcoming US tour, her Chicago show on June 15 at Martyr's and a great music video, check out this I-Italy article.

For this special event ELETTRA will be on sale to Italian Cultural Institute audience members for half price.

Please RSVP at 312-822-9545

Opening night of Lorenzo Mattotti Art Exhibit

2010-05-26T14:25:00.006-05:00

Italian Cultural Institute of Chicago director Tina Cervone welcomed a large audience to Lorenzo Mattotti’s first solo Chicago art exhibition last night. In her presentation remarks, she gave special thanks to Consul General of Italy, Alessandro Motta, for his presence at the opening of this special show, which runs through July 30.

Visitors to the Italian Cultural Institute's beautiful gallery space have the opportunity of viewing the full range of Mattotti's artwork: sixty-three drawings, magazine covers, comic book narratives, poster designs and illustrations, covering a large portion of his recent production. The artwork is divided into series which demonstrate the richness of his work and the themes he explores. Mattotti's splendid covers for The New Yorker Magazine, Internazionale Magazine, and Cosmopolitan are also on view.

In Italy a young, innovative generation of artists is working on comics art; they have succeeded in making this an important, respected medium. Mattotti is also one of those rare artists who has made a name for himself in the commercial sector without losing his integrity. Whether creating personal and edgy animations or whimsical, intensely colorful fashion illustrations, the sweetness and melancholy of Mattotti’s sensibility, his unique voice, always come through.

Mattotti’s career spans over thirty years. Born in Brescia in 1954, he studied architecture in Venice before deciding to turn his talents to comics art. His credits include graphic novels and children’s books. “Fires,” “Murmur,” Collodi’s beloved “Pinocchio,” and Lou Reed’s “The Raven” are among the most famous. He has carried out major poster commissions from Cannes, Turin and the city of Rio de Janeiro. Mattotti is also a sought-after animation artist, and his work in the movies “Eros” and “Peur du noir” demonstrate the power of his imagination and his technical ability. In addition, he has exhibited in Europe's most prestigious venues.

Lorenzo Mattotti is known for his vibrant colors and flowing compositions. In fact, on entering this gallery with Mattotti’s work lining the walls, one feels an immediate psychological lift. His images are dreamlike, whimsical. Pulitzer prize winning comics artist Art Spiegelman had this to say about Mattotti’s images: “It seems I have already seem them in my dreams.”

His drawings and illustrations are not merely decorative, however. The spiritual dimension of his works is very strong. The works are powerful because behind the beauty is a deep sensitivity and a melancholy feeling. You could say that Mattotti has a genius for conveying sadness and solitariness behind gorgeous facades.

This exhibit by Lorenzo Mattotti was enjoyed greatly by everyone who attended. Director Tina Cervone pointed out in her remarks last night that much of the exhibit's success was due to the hard work of the staff and interns at the Italian Cultural Institute and the Consulate General of Italy.

Miuccia Prada presented with McKim Medal Laureate award

2010-05-25T14:44:00.000-05:00

This Wednesday, dean of the Yale School of Art, Rob Storr, will present the McKim Medal Laureate award to Miuccia Prada, at the American Academy in Rome's Villa Auerelia. Since taking over Prada in 1978, the designer has risen to the highest echelons in fashion, with her minimalist designs for Prada and Miu Miu.

As co-founder of the art organization Fondazione Prada, with her husband, Patrizio Bertelli, she has also helped fund projects withAnish Kapoor, Sam Taylor-Wood, Carsten Höller, and Steve McQueen. In addition, she serves on the board of the Future Generation Art Prize, collector Victor Pinchuk's new art award.

Italian Elio Germano wins best actor award at Cannes Film Festival

2010-05-24T15:00:00.002-05:00

Elio Germano won best actor award for "La nostra vita" by Daniele Luchetti.

The recognition of Germano at Cannes is a major boost to the Italian film industry and also to the young actor - class of 1980- who is rapidly becoming one of Italy's most sought after artists. In "La nostra vita" he plays the role of a young building industry worker who copes with his unhappiness after the death of his wife by beginning a frenetic striving for an upscale lifestyle.

Maurizio Cattelan sets Southeby's record for an Italian work of art

2010-05-24T14:42:00.001-05:00

A work by Maurizio Cattalan set a world record for an Italian artwork sale at Southeby's at their Wednesday night auction in New York City. Cattelan is Italy's most famous contemporary artist, and his brilliant piece, All, was recently featured in the exhibit ITALICS that covered forty years of Italian art at the MCA.

The work that sold at Southeby's is one of three versions of a sculpture representing Cattalan emerging from out of the floor. This piece requires an actual hole in a pavement from which the sculpture emerges. Southeby's filmed the preparation of the installation, titled «How To Install a Contemporary Work of Art: Maurizio Cattelan’s Untitled, 2001». The work was estimated to sell for 3-4 million dollars, but a competition among eight bidders began. The final price of Cattalan's work - $7,992,500.

The preceding record for Cattelan's art was his sculpture "La Nona Ora" (1999) which presents Pope John Paul II lying on the ground, having been hit by a meteorite. It sold in November at auction (Phillips de Pury) for $2,700,000.

Contemporary Italian Literature and the New Italian

2010-05-17T14:45:00.002-05:00

Reading Corriere della Sera we ran across this fascinating blog dedicated to Italian writers whose first language isn't Italian.

"Whether they come from far away or were born in Italy, they live every day going back and forth between worlds and cultures. nuovitaliani.corriere.it - is a new blog dedicated to the new Italian. The stories that are told are those of discovery, making friends, and starting over. There is also the search and desire for normality in school, work, language, love. This blog opens a window to the Italian melting pot that has existed for decades, but which we're only becoming conscious of today."

Carmen Consoli: US Tour: Coming to Chicago on June 15 at Martyr's

2010-05-13T16:32:00.005-05:00

Carmen Consoli (Catania, 1974) was nine years old when she began playing music with her father, who was a passionate follower of American soul and blues music. She made her musical debut in her first clubs in Catania when she was only fourteen years old with the group Moon Dog’s Party, playing Jefferson Airplane, Otis Redding and Janis Joplin covers. Her talent was immediately noted by producer and owner of Cyclope Records Francesco Virlinzi, who took her to Rome where she worked at her craft for two years, returning to Catania in 1994 with material for her first album “Due parole.” She participated in her first Sanremo musical contest in 1996 with the song “Amore di plastica,” and then went on her first tour. Since then Carmen Consoli has never stopped writing, producing albums, and performing. She’s been awarded a long list of musical prizes and her concerts draw crowds that fill the Europe’s largest stadiums.

Don’t miss this truly unprecedented chance to see a major Italian music star in the intimate club setting of Martyrs! June 15 at 8 PM

Last year she took part in a benefit concert “Friends of Abruzzo” to raise funds for the earthquake that devastated the city of Aquila. On October 9 her single, "Non molto lontano da qui," was introduced and given extensive radio play; shortly afterwards the album Elettra was released. Extremely well received by critics, it made many of the year’s most watched top ten lists, and became Italy’s second best-selling record. Carmen Consoli’s music remains true to its ethnic and Italian roots in Elletra, while assimilating northern European influences. Currently on tour, Consoli's complex, versatile personality has been given outlets in two different musical genres: Ventunodieciduemilatrenta, is the title of her electronic and rock show, while she also performs an acoustic show in theatres that is titled after her album Elettra. Carmen Consoli’s recent song “Mio zio” has already won two awards: the Amnesty Italia Prize, which recognizes songs that treat human rights themes, and also the “Italian Music Festival” web contest for best song.

« Viva l'Italia, il calcio, il testosterone
gli inciuci e le buttane in preda all'ormone
a noi ci piace assai la televisione
proprio l'oggetto – dico – esposto in salone.
Chissà quale amara considerazione
avresti concepito in virtù del pudore... »

(Carmen Consoli, Mandaci una cartolina)

Classical Music at the Italian Cultural Institute: The Mancini Pezzali Flute and Guitar Duo

2010-05-05T15:05:00.011-05:00

Upcoming: two very special classical music concerts featuring the flute and guitar duo of Anna Mancini and Walter Pezzali. Their first concert will take place on Tuesday, May 11 at Northwestern University: 4:00 PM in the Music Administration Building, room 109. This event is free and open to all.
Their second concert is at The Italian Cultural Institute on Thursday, May 13 at 6 PM. There will be a reception following this free event.

The Mancini Pezzali duo will present a unique program consisting of many rarely played musical pieces based on the repertory of composers for opera, including works of Bellini, Cimarosa and Rossini.

Anna Mancini and Walter Pezzali have had extensive careers as soloists and musicians in chamber music groups in Italy and Europe. They are professors of flute and guitar respectively at the Conservatory of Parma.

PROGRAM

Ferdinando CARULLI
Ouverture da “La Gazza Ladra” di G. Rossini

Mauro GIULIANI

(1781-1829)

Grand Potpourri

Ferdinando CARULLI
Fantasia dall’opera “Il Pirata” di V. Bellini

Ferdinando CARULLI
Ouverture dal “Matrimonio Segreto” di D. Cimarosa

Johann Baptist WANHAL

(1738- 1813)
Variazioni sul tema “Nel cor più non mi sento” dall’opera
“La molinara” di G. Paisiello

Saverio MERCADANTE
(1795-1870)
Larghetto e Allegro

Giulio BRICCIALDI
Aria di Berta nel Barbiere di Siviglia di G. Rossini

(1818-1881)

"Days of Fear" by Daniele Mastrogiacomo

2010-05-04T12:50:00.002-05:00

Presentation of DAYS OF FEAR - a book about the Taliban kidnapping of Italian journalist Daniele Mastrogiacomo.

On April 26 we hosted Daniele Mastrogiacomo, Italian - Swiss journalist and war correspondent for La Repubblica, Italy’s largest circulating newspaper.

Mastrogiacomo was in Chicago to present his book “Days of Fear,” a recounting of his fifteen days of captivity in the hands of the Taliban. Italian Cultural Institute of Chicago Director Tina Cervone introduced Daniele Mastrogiacomo to a crowded hall, making it clear that the Institute was honored by Mastrogiacomo’s presence, and giving a brief description of his work and captivity experience.

On March 5, 2007 Daniele Mastrogiacomo, his interpreter Ajmal Nashqkebandi and his driver Sayed Agha, headed to southern Afghanistan, a Taliban controlled area, after being promised an interview with a Taliban commander.

Once they arrived to their destination, instead of being granted an interview, they were kidnapped by Mullah Dadullah’s men and accused of espionage. A fifteen day ordeal began. The three hostages were kept constantly on the move in order to avoid detection by the allies, and were threatened with execution if Italy did not remove troops from Afghanistan.

This demand was not met. Sayed, and then Ajmal, were brutally beheaded. Sayed’s decapitation was filmed and circulated worldwide. A shaken Mastrogiacomo made an impassioned appeal to Italian authorities to “do something,” while underscoring the extreme delicacy of the situation.

In the end the Taliban freed Mastrogiacomo in exchange for five prisoners, thanks to the intervention of war surgeon and Emergency founder Gino Strada. The journalist returned to Italy on March 20, 2007.

Mastrogiacomo began his book presentation by speaking about the Taliban. Translator of Days of Fear and mediator of the discussion, Michael Reynolds, then read extracts of the book. Afterwards, Mastrogiacomo answered audience questions about his impressions of his captors.

“They were really young religious scholars… they were nice sometimes, when we talked about the differences between Western and Eastern customs with sex, women, football and so on. But they could be violent and also deceptive… Above all the conversation tended towards the Afghan war and deadlines by which to withdraw troops.”

Daniele Mastrogiacomo explained that the end of 2010 could represent a proper deadline for troop withdrawal, thanks in part to President Barack Obama’s new way of interpreting Western military presence in Eastern regions.

Mastrogiacomo admitted to being against the Iraq invasion, mainly for economic reasons. However, he believes that a military presence in Afghanistan is necessary: “In Afghanistan the situation is different. It is fundamental not to impose our system and point of view on those people, but let them decide if they want the Taliban to be in the Afghan government. I know that people reject the idea of being ruled by the Taliban because of their support for Al Qaeda, which will bring terrible consequences for everyone ...”

Mastrogiacomo continued: “If we are not in Afghanistan, we cannot solve the situation from the ground … Leaving and doing nothing will not bring any positive help. Before any negotiation is important to assume a strong position there. If the Afghan people decide not to accept help and to let Taliban rule, then that will be the right moment to leave them with their choices and their consequences….”

“Days of Fear” is an unforgettable book that describes raw, brutal reality in clear prose. It involves and moves the reader from the very first page. Mastrogiacomo explained that he wanted his book to be more than a personal narrative about his terrifying experience. It was meant to be a book about the Taliban, the way they live and their point of view, as well as a homage to the two men, his friends, who died at the Taliban’s hands.

“Days of Fear” became a substitute for the article that Daniele Mastrogiacomo had so badly wanted to write. His journalistic pursuit of an in-depth war story began the chain of events that caught the world’s attention in 2007. He will feel its impact for the rest of his life.

Silvia Ballestra will read from her latest novel on Monday, May 3

2010-04-29T16:23:00.000-05:00

From the time that Silvia Ballestra made her debut in the short story anthology “Papergang, Under 25” curated by the writer Pier Vittorio Tondelli (1990), she’s played a vital role in Italy’s literary and political life. A passionate defender of women’s rights, on Monday, May 3 she will read excerpts from her latest novel, “The Days of the Rotonda,” and speak about Italian women’s ongoing struggle for equal rights in Italian society. Associate Professor Grazia Menechella (University of Wisconsin-Madison) will moderate.

Silvia Ballestra's credits are many. They include “Birthday of the Iguana” and “The War of the Antò,” which was made into a movie directed by Riccardo Milani; also “Nina,” “The Second Dora,” “It’s Raining on our Love.”

Silvia Ballestra was born in the Marche region of Italy and has a degree in foreign languages and contemporary foreign literature. Today she lives and works in Milan, where she also collaborates with the newspapers “L’Unità” and “Corriere della Sera.”

A reception will follow this reading. Please RSVP at 312-822-9545

Don't miss this wonderful opportunity to meet one of Italy's most influential writers and intellectuals!

Tornatore's Baaria at Facets Cinematheque

2010-04-27T11:42:00.003-05:00

The latest masterpiece of the sicilian director Giuseppe Tornatore

Tornatore's Baaria at Facets Cinematheque

Homage to Sicily

The passions, dreams, hopes and delusions of an entire Sicilian community, Bagheria, as seen through the eyes of three generations: from Ciccio Torrenuova, to his son Peppino, to his grandson Pietro. In the years of Fascism, Ciccio is a modest sheepherder who finds time to dedicate himself to his passion: books, poems of chivalry, and popular novels. During the food shortages of the Second World War, his son struggles against injustice and, although lacking education, he becomes passionate about politics, eventually becoming a member of the local government. In the meantime, he meets and elopes with the woman of his life, Mannina, with whom he has five children.

Presented by the Italian Film Festival USA, which is sponsored by the Italian Cultural Institute of Chicago and the Consulate General of Italy in Chicago, and in collaboration with Facets Multimedia.

For this special presentation, seating is extremely limited.
Reservations are required. Please call (312) 822-9545 x 198 to RSVP
or simply send an email to iicchicago@esteri.it

See http://www.italianfilmfests.org/ and http://www.facets.org/pages/cinematheque/films/may2010/baaria.php
for further information.

(Review from www.italianfilmfests.org)

Information

Date: Saturday, May 01, 2010
Hours: 7:00 pm
Site: Facets Cinematheque 1517 W. Fullerton Ave. Chicago, IL 60614
Organized by: Facets Cinematheque
In collaboration with: Italian Cultural Institute

LORENZO JOVANOTTI AT HARVARD!

2010-04-12T13:05:00.005-05:00

April 27, Conference on Music and Human Rights

Lorenzo "Jovanotti" has been invited to Harvard to speak at a conference on "Music and Human Rights." This is the first time that an Italian musician has been asked to address students about this topic at Harvard.

Post-war popular music and its best musicians have always been linked to the promotion of Human Rights and Lorenzo is no exception. He has been asked to talk to students about his decades long experience in Human Rights issues. He'll elucidate the relationship that exits between popular music and the diffusion and defense of Human Rights around the world.

From the very beginning of his career Lorenzo has used the power of his public image to promote Human Rights and fight oppression. The fact that he isn't ideologically driven has made him an extremely credible figure to the new generation, who respond to spokespeople who are independent thinkers and who have a sincere interest in the causes to which they give their name. At Harvard he'll go into detail about his experience as a Human Rights champion, and talk about successes and failures, opportunities and challenges, idealism and disillusionment. He'll give a true "lecture" from the point of view of an artist based in Italy, a "peripheral" country relative to the great flows of global information, but not an irrelevant country, given that Italy has made much progress in the great history of Human Rights and international solidarity.

Baroque Band Presents Vivaldi – L’Estro Armonico Concertos for 1, 2, and 4 violins

2010-04-09T16:32:00.000-05:00

As part of the first Chicago Early Music Festival, Baroque Band presents Vivaldi - L'Estro Armonico, Concertos for 1,2, and 4 violins. Director/violin - Garry Clarke.

This beautiful concert will take place on:

Wednesday April 21, 2010. 7:30 p.m.

St James Cathedral

65 E. Huron St.

About Baroque Band

Founded in 2007 by British baroque violinist Garry Clarke, Baroque Band has rapidly established itself as an important member of Chicago’s musical community. As Chicago’s period-instrument orchestra, it has been hailed by critics and audiences and has gained a reputation as one of the most exciting period-instrument ensembles in the United States. “Baroque Band are a welcome addition to Americas elite period-instrument ensembles” – John Puccio, Classical Candor

In the summer of 2008, Baroque Band was named Resident Ensemble of WFMT Radio, giving audiences throughout the world the opportunity to hear the orchestra’s performances through live and recorded radio and internet broadcasts. Baroque Band is also Ensemble-in-Residence at the Music Institute of Chicago, where it offers educational programming as well as concerts.

During its first two seasons, Baroque Band gave more than 80 performances. In addition to its own subscription concerts, Baroque Band performed at the Ravinia Festival, on both the Sunday Salon Series and the Dame Myra Hess Memorial Concert Series at Chicago’s Cultural Center, as part of the Byron Colby Barn Series, at Purdue University, and at the 2008 Madison Early Music Festival in Wisconsin. The orchestra also performed concerts as part of the 2008 and 2009 Chicago Latino Music Festival. In 2010, Baroque Band’s first cd – Henrich Biber’s Mensa Sonora – was released on the Cedille Record Label. The orchestra performed as part of the first Chicago Early Music Festival in April 2010 and other performances included concerts for the American Bach Society and the Viola d’amore Society. On August 17 they return to the Ravinia Festival for a concert in the Martin Theater.

To commemorate the 250th year since Handel’s death, Baroque Band added to its regular 2008–2009 concert series three performances of Handel’s rarely heard “Dublin” Messiah – the original version of his masterpiece that was given at its premiere performance in Dublin in 1742. These performances were chosen by NewCity alongside concerts by Simon Rattle and the Berlin Philharmonic, and Riccardo Muti and the CSO as one of the top five classical concerts of 2009.

In December 2009 Baroque Band was hailed by John von Rhein in the Chicago Tribune as one of the top ten most important developments in Chicago’s classical music scene for the decade.

For more information about Baroque Band go to www.baroqueband.org

Art Museum of Milwaukee: Raphael's masterpiece "The Woman with the Veil"

2010-03-31T10:49:00.002-05:00

On Friday, March 26 an inauguration of an exhibit dedicated to one of Raphael's masterpieces, "The Woman with the Veil," was held at the Art Museum of Milwaukee. Visitors may admire this famous and celebrated painting of the Italian Renaissence through June 6, 2010. "The Woman with the Veil" is on loan from Palazzo Pitti of Florence.

Presenti all'inaugurazione Cristina Acidini, soprintendente per il Polo Museale di Firenze, Alvise Casellati, Direttore Generale della Foundation for Italian Art & Culture, David Alan Brown, Curator of Italian Painting, National Gallery of Art, Washington DC, Alessandro Cecchi, Direttore di Palazzo Pitti, Firenze, Alessandro Motta, Console Generale d'Italia in Chicago e Tina Cervone, Direttore dell'Istituto Italiano di Cultura.

Valerio Massimo Manfredi presents his latest historical thriller, The Ides of March

2010-03-24T14:28:00.002-05:00

Novelist, archeologist, topographer of the ancient world and screenplay writer Valerio Massimo Manfredi presented his latest historical thriller, The Ides of March, to a packed house at the Italian Cultural Institute of Chicago last night. Director Tina Cervone introduced Manfredi noting that, “we’ve hosted many internationally renowned contemporary writers, including Umberto Eco, Beppe Severgnini, and Gianrico Carofiglio. I’m pleased to renew our collaboration with Europa Editions, which brings leading European writers to the American public.”

Faithful Valerio Massimo Manfredi fans had clearly been anticipating the release of his latest bestseller, The Ides of March, a tautly constructed narrative of Caesar’s last eight days that cuts back and forth between the harrowing journey of one of Caesar’s most trusted centurions through mountains and over rivers as he races to warn Caesar that he’s in danger; the secret meetings of the conspirators planning Caesar’s assassination; and the daily life of Caesar himself, including his last dinner party with Rome’s elite, an evening that was documented by Plutarch and that ended with a conversation about death in which Caesar, when asked what sort of death is best, replies "one that is rapid and sudden.”

Professor Manfredi’s conversation with the audience was wide ranging and people asked questions that provided for profound discussion. To begin with, what is difference between history and the historical novel?

“History is an attempt to construct a common memory. Memory is identity. In English the distinction between a story and history is more defined because you have the word ‘history’ while in Italian we don’t. ‘Storia’ means history in Italian and ‘storia’ also means a story. In any case, the goals of the historian and the storyteller are different. Historians have a burden of proof. But Homer, in his epic, clearly invented creatures like the Cyclops. An epic doesn’t have to be factually true because an epic’s goal is to provide models of human behavior.”

How does he define literature's role in society? “Our mind is bigger than life. To fill the gap we need more lives, and most of all we need emotions, for emotions give sense to our life. The things we remember are the things that made us feel - a person, music, a gaze, a sunset. What moves the soul gives life meaning. Literature can give us what personal destiny denied. Some people lead interesting lives, some don’t. When someone reads one of my novels, they can become Alexander for an afternoon. This is the magic of storytelling.”

Manfredi spoke about the tradition of storytelling in his family: “Storytelling survived the invention of writing and print. My grandfather was a storyteller. When he was alive people didn’t have television, video games and the internet. They relied on the tradition of oral storytelling for entertainment. In the north where my grandfather lived there would be a lot of snow during the wintertime and temperatures were freezing - this was before global warming. My grandfather was invited to people’s homes and villages to tell his stories, often his theater would be a stable, because those were the warmest places. He was a star.”

How important is historical research in Manfredi’s novels? “The details in the novel must be correct. Details give authenticity and make the novel real. But you don’t go to a movie or read a book for a history lesson. What matters when reading my book is that you are moved by it. In history there is the chronological dimension, the political dimension. A novelist adds a third dimension, depth."

Would the world have been different if Caesar hadn’t been assassinated? “Yes. Caesar’s murder changed the course of history. History is like a river, and an act of this magnitude changes its flow and its banks. The last twenty minutes of Caesar’s life are out of a thriller. At one point the conspirators almost killed themselves, thinking that they’d been betrayed.”

What are Manfredi’s work habits? "In order to get into a meditative space that allows me to enter the creative world, I write in the darkness of night with music playing. The darkness and music cut me off from the outside and put me in touch with my emotions. I have a young friend who creates music for me on her computer. I describe to her what I'm writing, and she puts together a soundtrack of my novel. This is what I listen to when I write.”

And finally, his current project is? “I'm working on a trilogy based on an Indian epic that may become a Bollywood movie. I also write short stories, and a book of my short stories, some of which I’ve written during the past year, will be coming out soon.”

TIZIANO FRATUS PICTA VI-IMAGE VI

2010-03-22T17:03:00.006-05:00

On the occasion of Tiziano Fratus' tour in the Midwest we are pleased to present one of his poems recently translated into english. For more information please visit Tiziano Fratus page in iic website

IMAGE VI
celtic christianity breathes from the ruins of the abbeys that
stand out still proud on the basalt peaks that
with stony resolve challenge the cries of the masses
the seas mixed with the water of the oceans
the rivers confused in dialect with universal languages gutted in the
course of centuries by the beaks of seagulls
the minutely detailed codes and whispers in northern european lands
the false relics in which mothers
and widows discretely deposited secrets especially if unmentionable
twenty tons of formaldehyde surrounds an australian shark
that rests with its mouth ripped open meant to frighten
we say to intrigue children who end with their noses pressed against the
glass lips arranged innocently in the shape of a perfectly asymmetrical “o”

PICTA VI
il cristianesimo celtico respira fra le rovine delle abbazie che
spiccano ancora orgogliose sulle punte di basalto che
rocciosamente sfidano le grida delle masse
i mari mischiati in acque con gli oceani
i fiumi confusi nel dialetto con le lingue universali sviscerate nel
corso dei secoli dal becco dei gabbiani
i codici miniati e sussurrati nelle terre del nord europa
le reliquie piuttosto false nelle quali le madri
e le vedove dall’occhio sottile hanno depositato i segreti soprattutto se
inconfessabili venti tonnellate di formaldeide circondano uno squalo australiano
che sta con la bocca squarciata a spaventare
diciamo a incuriosire i bambini che finiscono con il naso schiacciato contro
il vetro le labbra sistemate in una ingenua “o” perfettamente asimmetrica

Surgeon Pier Cristoforo Giulianotti and Robotics in the field of surgery

2010-03-18T14:43:00.000-05:00

On Tuesday, March 16 we heard a fascinating presentation by surgeon Pier Cristoforo Giulianotti on the operating room of the future and the use of technological robotics in the field of surgery. Professor Giulianotti has performed over 2100 minimally invasive surgeries of which more than 914 have been robotic procedures.

Arclinea Event: Italia in Cucina: Live Cooking Day

2010-03-12T11:23:00.000-06:00

Arclinea of Chicago held a very special event last night: Italia in Cucina. Billed as a worldwide cooking marathon, cooking demonstrations are being held in 21 different showrooms to support and celebrate artisanal Italian products. Selected by the Ministry for its international acclaim and innovative artistry, this major event is an exciting extension of the Italian Ministry of Agriculture's Made in Italy program, which serves to promote local Italian products.

Last night we were treated to an unforgettable feast: Italy's best wines, parmesan, various meats, olives, and an unforgettable asparagus risotto created in the beautiful Arclinea kitchen by Executive Chef of Phil Stefani's 437 Rush, Federico Comacchio.

Director Tina Cervone from the ICI attended, and Consul General Alessandro Motta of the Consulate General of Italy in Chicago provided the audience with an illuminating look into the goals of the Ministry program.

Marino Marini: Christie's Auction: The Collection of Mrs. Sidney F. Brody

2010-03-12T10:46:00.000-06:00

One of our ICI regulars very kindly sent us interesting news about a Christie's auction that one of Marino Marini's works will be sold at. Marini's "Piccolo cavaliere" was part of the modern art collection of Mrs. Sidney F. Brody. Estimated worth of the collection is over $150 million dollars.

Here is the description that the Christie's press release provided of the Marino Marini piece:

Piccolo cavaliere by Marino Marini (1901-1980), a beautiful, 20-inch tall bronze of Marini’s favorite horse-and-rider theme that features a vigorously hand-chiseled and painted surface.
The Brody work is an exceptional example of Marini’s signature contribution to 20^th century sculpture in which he developed an innovative technique of working the surface of the bronze to a textured and nuanced finish (estimate: $1.5-2 million).

Vinicio Capossela at the Lakeshore Theater in Chicago

2010-03-11T12:30:00.004-06:00

Vinicio Capossela came to Lakeshore Theater of Chicago last night and treated us to a concert that included stilt walkers, an array of fantastic costumes, poetry, poignant short stories, a live chicken, magic, and of course, brilliant music.

Capossela's range is nothing short of extraordinary, and he lived up to his reputation for theatricality and musical excellence by taking us on a sound journey that began with romantic ballads and whimsical pop, crossed over into rock, and then returned to his lyrical home: he closed with a song that was pure poetry, Ovunque Proteggi.

I should add that all this was accomplished on a small stage in the space of a very generous three and a half hours.

After the show Vinicio Capossela spent time with the representatives of the Consulate General of Italy in Chicago and the ICI. He made sure that everyone who wanted had a photograph or autograph. To his reputation for musical brilliance this quality should be added: the gift of genuine kindness.

If you'd like to read more about Vinicio Capossela and his US tour, check out this article in I-Italy.

Two Events: "Inside The Elixir of Love" and "Lyric Opera and Sir Andrew Davis"

2010-03-03T15:30:00.001-06:00

Opera lovers had a double treat in February when the Italian Cultural Institute of Chicago held two events showcasing Italian opera.

The first event (February 11) was "Inside The Elixir of Love" - a conference on Gaetano Donizetti's ever popular opera, which has engaged audiences since it opened to great acclaim in 1882. Before a packed roomful of people, Maestro Bruno Campanella and singer Alessandro Corbelli discussed the experience of producing The Elixir of Love, Bel Canto, and the state of opera today. They shared personal stories and offered insight into all aspects of the Italian musical tradition.

After the conference, both Maestro Campanella and Alessandro Corbelli graciously joined us for a reception where they answered questions and mingled with dedicated opera fans.

Our second event (February 17) was "Lyric Opera and Sir Andrew Davis." This discussion centered around Lyric Opera of Chicago and its Music Director and Principal Conductor, Sir Andrew Davis.

The Director of Music Staff at Lyric, Maestro Philip Morehead, and Italian conductor Emanuele Andrizzi, provided a fascinating glimpse behind the scenes of one of Chicago's most beloved institutions. This special evening was filmed by CAN TV for their archives. We're happy that it will be aired on March 7, 2010. We hope you'll be able to check it out!

Conductor Riccard Muti: February 25 Press Conference

2010-03-03T12:31:00.003-06:00

Representatives from the Italian Cultural Institute of Chicago, including Director Tina Cervone, attended Conductor Riccardo Muti's February 25 press conference, held in Orchestra Hall's lovely Grainger Ballroom.
Maestro Muti spoke about his vision for the Chicago Symphony Orchestra's future, qualifying his remarks by saying that in Italy visions are usually reserved for the most important saints. Here are excerpts from an article published in I-Italy. Follow the link if you'd like to read the entire piece.
"Maestro Muti set a relaxed, jovial tone at the press conference inaugurating his tenure with the CSO when he declined to stand and speak behind a podium, saying that he wasn't a priest. Preferring to stand informally behind a table, when he was asked to sit so that the TV cameras could capture him, Maestro Muti joked that people at home were seeing the most important thing - one of his best ties, bought in Naples. To much laughter, he then untucked his tie from his vest so that everyone could admire it.
The relaxed, warm atmosphere of the press conference didn’t stop serious subjects from being discussed. Maestro Muti spoke of music’s power to transform the world for the better by touching hearts and souls, providing for a bond that transcends cultural differences. In fact, Maestro Muti has organized musical outreaches in prisons, and spoke of an outreach at which he played the piano for prisoners, choosing composers who had suffered much and died young, like Schumann and Schubert. By relating stories such as this one with great feeling, all of us in the audience were reminded of music's spiritual power, the very thing that had brought all of us there and that united us."

Marino Marini exhibit from March 4 through May 7

2010-02-11T14:58:00.002-06:00

The Italian Cultural Institute of Chicago is hosting an exhibition the includes two of Marini’s sculptural masterpieces, a bust of the architect Mies Van der Rohe, and thirty of his sketches, etchings, silkscreen prints and lithographs.

Marino Marini (1901-1980) is one of Italy’s greatest 20th century artists. This ICI exhibit reexamines Marini’s role in the American art scene between the 1950s and 1970s, and introduces a new generation of art lovers to Marini’s most iconic creations: “Pomone," a female figure in bronze, and the magnificently modeled “Knight.” The themes of female archaic divinities called pomone, and of horsemen, were constants for Marini, whose artistic vision was informed by his early study of Tuscany’s famous Etruscan artwork. Check out this article in I-Italy for more information about this Italian master and the opening of the exhibit on March 4.

This is a show that mustn't be missed. Gallery hours are 9 AM to 1 PM and 2 PM to 5 PM , Monday through Friday.

Quintetto Bottesini Shines with Italian Flare

2010-02-11T14:41:00.000-06:00

The Quintetto Bottesini played to an enthusiastic audience at Roosevelt University's Ganz Hall this week. They performed "Quintet in C Minor" by Ralph Vaughn Williams, "The Four Seasons of Buenos Aires" by Astor Piazzolla, and as an encore, a suite by Ennio Morricone.

This concert was reviewed in ChicagoClassicalMusic Please take a look!

Secret Siena: Discovering the Hidden Treasure of the Medieval CIty

2010-02-03T17:14:00.000-06:00

Tina Cervone, Director of the Italian Cultural Institute of Chicago, had the pleasure of presenting a lecture by Luca Bonomi, President of the Dante Alighieri Society of Siena, on Tuesday of this week at the University of Chicago, with the help of Francesca Puggioni.

Professor Bonomi’s lecture, Secret Siena: Discovering the Hidden Treasures of the Medieval Town, was a fascinating look into two very different, very important aspects of Italy’s beloved medieval town. The first part of the lecture provided insight into the practical - a system of canals that was built in the 13th and 14th centuries to provide water to residents - while the second half provided insight into the sublime - Professor Bonomi gave us an analysis of the pavement of Siena’s famous Duomo. Two very different creations that have more in common then it would seem at first glance, for neither could have been realized without vision, tenacity, brilliant engineers and artists.

The Bottini canal network, Siena’s underground water supply system, is a little like an underground town. Made up of twenty-five kilometers of channels, the system worked by having rainwater, which seeped through the compressed sand that Siena is built on, captured in a series of communicating vessels and then channeled to people’s living quarters. Because connecting to this canal system and having water flow to one’s home was expensive, seven public fountains were built for less well-off residents.

The Bottini water system was functional until World War II, and the water in the seven fountains still comes from Bottini. Because this canal network is as fragile as it is important, only one hundred people per year are allowed inside to study it. In order to allow more people to appreciate this marvel, Siena is creating a museum dedicated to water.

In the second half of the Secret Siena journey, after analyzing Siena’s foundation, Professor Bonomi went on to explore the town’s famous gothic Duomo, and in particular the pavement mosaics which can be seen in their entirety only in the month of September every year. These mosaics took three hundred years to complete. A governing board, comprised of Siena’s intellectual elite, decided on the narrative that would be presented in the mosaics. The coherence and unity of the project makes one think that board members had a clear vision of the spiritual path that they wanted their citizens to take upon entering the church. The story told through the mosaics concentrates on Old Testament figures such as Elijah, the heroic prophet, who acts as a link to Christianity. The religious lesson culminates in the alter devoted to the Virgin Mary.

2010-02-03T16:41:00.000-06:00

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Secret Siena: Discovering the Hidden Treasure of the Medieval CIty